it was formally decreed that all statuary art found to be of "questionable moral"
and "irreverent content" be banned, dismantled by torch and buried away from public view.
These are the "Future Artifacts" from a recent discovery of one of the
rich future ancient art burial grounds."
"The Emperor Was descended from a long line of "as's"
taking on the surname "croftus" at the beginning of his first reign
to distinguish himself from his fallen formers and bring him closer
to the commons by association with the small but powerful remaining landowners.
The decree to dismantle the statuary at the end of his first reign
was decidedly not about personal disdain for the art but bowing
to political and religious pressure from the splinter religious factions
that had grown in considerable number and influence.
For it was well known in the underworld of the "sames"
that the Emperor actually had a private penchant for the subjects of the statuary
and frequented the urinals and baths, known congregating places of the "sames"
following the closure of all sanctioned meeting places.
Fearing revolt and loss of power it was imperative to show additional token forms
of action and so he sent out the decree banning the morally offensive sculpture.
went out that all models that had posed as subjects for the sculptures
were to be identified by use of body scans and genetic testing
and "commissioned" to dismantle the sculptures."
Another recent discovery at this very site has revealed a rich visual
documentation of these workers actually dismantling the sculptures.
These dramatic images will be presented in a forthcoming exhibit.
Some official records suggest he was detained and sent away to oversee the dismantling.
Other unofficial writings suggest he was secretly protected by the emperor,
however records of the “sames” document his knowledge of time travel
and report of his escape to another time and place."
